Berlin-based writer, artistic director, cultural worker, and publicist.

As the founder and creative director of HOLO, an editorial and curatorial platform interested in emergent creative practice, he helps produce and disseminate knowledge on disciplinary interstices, artistic research, and cultural transformations in the digital age. Over the past few years, he curated exhibitions, conferences, and educational programmes for organizations and festivals including A.C.C. (Gwangju, KR), Mapping (Geneva, CH), MUTEK (Montréal, CA), and NODE Forum for Digital Arts (Frankfurt, DE).

Responsible for curating the digital storytelling and immersive media programme at the Digital Cultures conference. She co-hosts "the Odbiornik” podcast for dwutygodnik.com magazine, covering art, technology, and the art of living with technology. For over a decade, she has been designing and organising international events to bring together audiovisual and digital media creators and enthusiasts. She provides consultations and devises strategies on interactive projects for Polish and foreign institutions.

Co-founder of the Total Immersion Foundation, she received a scholarship from the Ministry of Culture and National Heritage, and currently has a residency on the ArtHouse programme. As a child, she wanted to be an anthropologist and her dream came true. She is based between Warsaw, Sokołowsko, and Berlin, where she works for the Creatives’ Catalysts agency.

Culture manager, programmer, and producer.
Since 2014, she has been associated with the Adam Mickiewicz Institute, a state institution aiming to increase international awareness of Polish culture. Currently working as a manager of the Digital Cultures Festival, established in 2017 as an international platform for networking and exchange in the field of new media, cross media, computer games, and digitally supported heritage preservation.

Joseph Cutts is a video installation artist based at S1 Artspace in the United Kingdom.

His work is created using a rigorous lyricism in the approach to moving image, with his interpretations constructed with structured methodologies and non linear narrative. Contributing properties of performance and sculpture are subject to his setup. In 2019, exhibiting in 'Construction House', an exhibition of newly commissioned work exhibited alongside archived artwork from Bauhaus masters Moholy-Nagy László and Marianne Brandt,as part of the 100 year centenary.

Cutts is also Curator of moving image and performance, digital and transmedia. Recent programmes include Prototype (2017); Art Sheffield: Zero Hours (2013) and Alternate Realities festival and national/international touring activity for Sheffield Doc/Fest (2014-), where he has been responsible for the identity and ethos of the programme, celebrating and stripping awaythe trend of modern technologies and aligning those with timeless forms in contemporary art.His research over the last decade in the ethics of this field has lead to the workshop programme for artists and curators - ‘Welcoming New Art Forms (I was trendy once)’ at Digital Cultures: Living Archives, Warsaw.

Furthering his insight into Polish culture, Cutts is also now Curator of the audio exhibition programme as part of the 2020 Digital Cultures Festival, Artistic Advisor at the Adam Mickiewicz Institute and developer of the Art House online residency programme.

josephcutts.com

Doctor, lecturer at the English Linguistics Department at Kazimierz the Great University in Bydgoszcz, and a specialist in contemporary British drama. As a theatre critic, he has written for Teatr, Didaskalia, and Chimera magazines. Co-author of the Jawne Sny (‘Lucid Dreams’) blog on video games and their links with other branches of culture. He has written about games for magazines such as Przekrój and Pixel, as well as dwutygodnik.com.